The Quarterdeck Interview
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[ This interview is from the October issue of ‘Quarterdeck’ magazine ]
During your formative early years was reading an important part of your life?
Oh, yes. My mother introduced me to the joys of the public library when I was quite small and it was always a huge treat to go there and borrow books, especially when I had my very own junior library card! I have such fond memories of my first library that when I returned to the UK after many years abroad I searched it out, hoping it was still there. Sadly, it had been morphed into a council building, but amazingly, ‘Library’ is still emblazoned above the door. As a boy I had a pretty eclectic range of interests but anything to do with the sea was always there at the top of the list. When I joined the Royal Navy I had some treasured copies of Forester’s Hornblower books that I reread many times; I was actually at sea when he died and I was devastated that his wonderful stories would be no more.
You trained as a shipwright and I once heard you say you would feel quite at home in one of Kydd’s ships, adze and whipsaw in hand. Can you tell us a bit more about that period in your life?
I went to a prestigious English grammar school but didn’t do particularly well scholastically, spending my time watching the low grey shapes on the horizon and dreaming about the sea. I think my father had other ambitions for me but from an early age I always knew I wanted to join the Navy, and signed up for the saltiest branch of all. I trained as a shipwright in the Navy (a four-year apprenticeship), and am one of the not that many remaining chippies qualified to work on wooden ships of the big sort.
My ‘graduation’ project was to work on a naval whaler, a two-masted wooden boat, similar to Bligh’s little launch. With it I was able to put into practice all the skills of the craft, passed on to me in a long unbroken line down the ages. You never know when you’ll be called upon to sny and fay with a wrain bolt to three curvatures simultaneously…
At first glance, such skills may may seem obsolete for the modern navy but when I was involved in the Melbourne/Voyager tragedy it was we shipwrights who were vital in damage control and preventing further deaths. I was actually out with the seaboats that night keeping them afloat while pulling in survivors.
When I left the navy I worked for a time at Purdon & Featherstone (established in 1853, and sadly no longer in existence) in Hobart, Tasmania. This was one of the major slip yards for wooden boat construction and repair in the state. Some beautiful traditional wooden boats passed through there.
Has your experience as a shipwright influenced your writing?
I think all life’s experiences must play a part in the creation of a novel. Certainly many of the sights I saw on my voyages around the world are brought to bear in my writing.
As to my training as a shipwright – this gave me confidence to write several episodes in the series where there is quite some detail about Georgian naval dockyards.
I can also look at ship models – especially the scratch built ones – with an appreciative eye and because they are on a small scale I sometimes am reminded of things that I later bring to bear in my writing.
CARIBBEE is your fourteenth Thomas Kydd novel. Over the previous books, your plots have been closely tied to historical events. How do you approach development of your storylines which wrap around actual history?
To me, it is crucial to remain true to the historical record. I believe it would be a great disservice to both modern readers and those who lived in days gone by not to do so. I spend a great deal of time doing research before I write. Having said that, there are occasions when I believe it is permissible to vary, not the sequence of events, but time alone – for the sake of the story. I’ll give you an example, in KYDD, my first book, Tom finds himself at sea in the old Duke William pretty quickly. It would have been a pretty boring read to just have him aboard, swinging to anchor for weeks, as they sometimes did.
Do you ever encounter writers block? If so, how do you work through it?
Fortunately I’m writing about such a fascinating period in history that I’m usually carried along by the momentum of those glorious times. The Georgians were in many ways much larger than life than most of us today; they had a wonderful phrase, ‘bottom’ to describe the almost superhuman courage often found in tight corners.
I guess, also, that because I do very detailed research and planning before I set pen to paper I know where the story is going and am not bogged down by false starts. If I do need to fine-tune some plot point I find that being able to walk/talk with Kathy along the banks of the nearby River Erme is a great boon. Mind you, once we just couldn’t seem to find a solution and it took six hours of ‘pacing’ before the answer finally revealed itself.
Did you and Kathy get to return to the West Indies for CARIBBEE?
Sadly, no. It’s a long way from Devon, and quite an expensive trip! However we did have over three weeks there on location research for SEAFLOWER, and I knew Kydd would be returning there at some point in his career. We took hundreds of photographs and extensive notes so I wasn’t short of material for CARIBBEE. I also have a full set of Navy electronic navigation charts of any region which I have to hand as I write.
How much does music mean in your life?
I find great joy in music. Along with reading and good food it’s one of life’s great pleasures.
Have you any skill at music? Do you play an instrument?
Sadly, although I have a good musical ear, I am an amateur in terms of skill. In the Navy I played a horn in the brass band. Great fun! Later, I bought myself a valve trombone, which I tootled on from time to time. But my musical sensibilities have become much more sophisticated and developed over time – and I could no longer bear to hear myself play.
Do you play music when you are writing?
No, never, as much as I would like to. Writing for me is an all-engrossing activity. I am a ‘visile’ – I have to see the story unfolding before my eyes before I can write it.
If you were cast ashore on a deserted island, what five musical pieces would you choose to have with you?
Oh, a difficult question! But put on the spot, here they are –
- Vaughan Williams, ‘Sinfonia Antarctica’ : the most atmospheric sea piece I know
- Stanford, ‘Songs of the Sea’ : so rousing and heart-lifting
- Sibelius, ‘The Tempest’ : especially the mysterious Berceuse
- ‘Cats’ : I’m not really a fan of musicals but Lloyd Webber really captures the feline spirit
- Mike Oldfield’s ‘Hergest Ridge.’ : from my youth, when courting the lovely woman who would become my wife…
Besides listening to music, what do you like to do in your spare time?
Doesn’t seem to be much spare time these days. Kathy and I do enjoy walking – Devon has some wonderfully scenic areas to explore – and I’m also partial to a delicious meal with all the trimmings and a good Red. Again, we’re very lucky to live in Devon as the produce grown here is next to none. We get an organic vegetable box regularly and it is always a delight to see what Kathy will conjure up from the exotic ingredients.
Why did you recently decide to initiate a move to a brand new website?
This was prompted by the retirement of the Bosun, who’d compiled a great newsletter for over ten years. But things move on, and it was a chance to look at the way I interact with my readers in a holistic sense. I was already tweeting, and posting on Facebook and Pinterest so it seemed a good idea to start a personal blog. A website with all the information about me and my books plus an interactive blog seemed to fit the bill. Feedback so far has been very positive.
I think social media are becoming more and more important for authors today. When the first Kydd novels came out a decade or so ago no-one had heard of twitter and the like and blogs were uncommon.
Although these are all time-consuming I find I am enjoying the participation greatly – and as long as I am disciplined about the time I spend writing the Kydd books I hope to explore other possibilities, too.
What are you working on now?
I have just signed a new three-book contract for the Kydd series and am busy working on the next book, which will come out October next year. Its working title is ‘Pasha’ but I won’t give the game away just yet. I have to deliver it to my publisher by January 1 – so there’s no pressure…
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